We knew that the speed of proxy creation is a crucial requirement for the DIT and her/his responsibility to create dailies on set. to the VFX facility.One of the design goals for Silverstack Lab has always been a fast transcoding engine, not to say we wanted to make the fastet transcoding software for DITs. With the help of an EDL file Silverstack’s clip library is able to identify and copy only the used material which needs to be and sent e.g. Using Silverstack’s conform feature saves a lot of disk space and copy time. The amount of data in ARRIRAW projects can be massive. With the implementation of advanced ARRIRAW support, the conform feature becomes more important than ever before. You can learn more in the article Transferring Metadata to Avid Media Composer. This way the editor will have all the information about the takes from every shot to select the best and stream the workflow. Now you will be able to match the previously transcoded files with the metadata. There are different options that allow you to select what kind of information is included. This can be done with the creation of an ALE file matching the file name with the metadata. It’s time to export all the useful information generated by the Script combined with the comments, labels and ratings created while checking the quality. With the next step you will be able to match all the information with the transcoded clips: Simply export selected takes to ProRes 422 to start editing the project. The transcoding functionality is also helpful for the offline editorial process, as Silverstack enables to generate high quality ProRes clips. If image transformations were applied previously, the transcoded clips retain all this modifications. This means that the Director can watch the clips on his iPad for evaluation purposes. Now you are able to export your ARRIRAW sequences into QuickTime ProRes and H.264 clips. One of the latest Silverstack’s features is the transcoding functionality. More information in Creating Reports and Customizing Clip Reports. They can also contain helpful metadata created in the Quality Check process which can be very helpful in subsequent postproduction steps. Shooting Day reports, Clips reports and Volume reports can be generated with Silverstack to inform the production team about the results of the ongoing project. This kind of information can be very helpful for the editor or VFX facility. Script notes also can be added to this metadata. You can learn more about this topic in the Image Transformation article.Ĭomments, labels and ratings can be written as metadata to each clip. Anamorphic de-squeezing and image flipping can be also applied when needed. A LogC to Rec.709 color filter is applied by default, but you are able to bypass it if you want. Image transformations can also be applied to the footage to speed up your quality check process. To set up your Codex User Interface app, please refer to the Knowledge base article Handling ARRIRAW File Sequences. The driver installation information can be found here. The most commonly used storage systems for ARRIRAW are Codex capture drives, which means that you need to work with the Codex transfer stations. Once your precious footage is recorded, the first thing you want to do is to create backups as soon as possible. Furthermore, with the MHL checksum verification feature, you can be sure that all files on the camera storage are the same as the ones in your multiple backups. With the large amounts of data generated in a ARRIRAW production, a reliable data management tool is essential to reduce time, and thus reducing costs. This article is meant to be a basic guide for the ARRIRAW workflow with Silverstack.
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